The
Afrostar Galactica

The AfroStar Galactica is an afrofabulist performancelecture staged as a flight aboard a Black Study research vessel heading to “the Mothership”

It combines, depending on the budget available: spoken word and song, theory, humour, scent, circus, workshop elements, a decolonial spa, food and drink, dancing and choir to invite audiences into an experiential form of Black Study and speculative futurity.

What can you expect?

A journey
into “inner space”

Framed as a fully booked flight on FutureBrown Airlines, the piece casts the audience as passengers and the performers as cabin crew guiding a journey into “inner space” rather than outer space, using Black Studies as its instruments of orientation.

Spectators actively weave their own black or brown thoughts

The AfroStar Galactica is described as a ramshackle research vessel built from junk, tape, and kitchen appliances, fuelled by “black chill and hope” and propelled by the collective groove of the cabin crew, foregrounding DIY aesthetics and communal invention over slick scifi spectacle.

Throughout the journey, passengers encounter constellations named with Nguni symbols such as hope, home, and future, each triggering prompts for reflection and writing so that spectators actively weave their own black or brown thoughts and genealogies into the flight.

Politically, the performance insists on a blackness not reducible to race

Politically, the performance insists on a blackness not reducible to race but understood as an experiment in being, disentangling Black life and thought from the “white laboratory” of the university, gallery, and other colonial institutions.

Whiteness is treated as excess weight that cannot be brought into the future: passengers are asked to leave it at checkin or put it on “flight mode” so it doesn’t interfere with the instruments of Black orientation.

In this way, The AfroStar Galactica becomes both a work of performance and a moving seminar in Black and Brown study, offering hospitality, safety, and collective imagination as it “boldly and blackly” travels toward futures already nestled inside its travellers.

You can book of one the flights for your group, theatre, festival

Solo flight

You can already try a solo-flight by downloading the Safety Guidelines narrated and sung by Admiral Aurelia Dey:

Group flight

We provide: Economy Flights, AfroGold Deluxe, Black Business Classy AF and AfroPlus Diamond Disco.

Flights leaving soon on the Abolition Express, the AfroSuperStar Velvet Escape Root, or The Glitter Jetstream which uses excessive camp, and queer glamour as a propulsion system.

Or feel free to invent your own for a bespoke journey into the thought of blackness.

Our participants say

Vad gör den här kursen? (svar till en kollega)

En konstnär guidar mig in i mig själv, han håller min hand och alla andras (hur gör han det?). genom att se mig själv kan jag se andra. Genom att se andra kan jag se mig själv. Vi är alla små universum som på något sätt håller Makten att släppa in fler, andra, inga genom dörren till ett utställningsrum, en utlysning, ett arbete, en upplevelse, en fika, ett samtal.

Om vi förstår varandra bättre, om vi är redo att låta Mer av vad det innebär att vara människa få ta plats, då kan vi förhoppningsvis också välkomna fler.
Jag börjar tro eller förstå att jag också gör ett bättre jobb om jag är mer snäll mot mig själv och förstår mina olika identiteter bättre.

The workshop allowed me to connect to both my knowledge, the ignorance I carry, learned patterns, and my inner intuition on where I want to go, who I would like to be, and what I would like to bring forward into the world.

Already after the first day I thought about how this workshop really shows the transformative power of art and what art can do in opening up important subjects and questions, by not only bringing them to the surface of our (my) consciousness, but also actively working with them on different layers.

The workshop uses artistic methods, in particular writing, to tackle sensitive, complex issues from perspectives that I have never experienced before.
It exposes structural and power structures that are diminishing us as human beings, no matter if our ancestry is Swedish from many generations or if we are newly arrived in Sweden.

The workshop provided a group of artists and producers coming from all around Europe not only to collectively reflect on representation, diversity and inclusion but also to individually question our relation to the realities of blackness and whiteness.

It offered a creative introspection which is needed to shift our mind-sets and therefore to impulse change in our perimeters of actions and power.

I left these two days of workshop feeling that I had started a personal journey, as much as a collective one.

Öppnade upp för nya tankesätt, självrannsakan och självmedvetenhet. Att se sig själv som en del av en struktur som är felaktig. Med de mallar och krav vi själva och samhället lägger på oss var det svårt att hantera. Det gav till en början ångest och frustration då jag kände hopplöshet. Men efter ett par dagars bearbetning känner jag ett visst hopp om att vi trots att vi är öar i våra egna universum ändå kan mötas. Måste mötas och att vi kan i alla fall öppna upp för ökad förståelse och medmänsklighet.

I was really grateful to a) have the opportunity to be guided through anti-racism work in such a comprehensive, and b) the format, setting, activities and opportunities were fantastic.

Being at home (online) changed the level of vulnerability. All the writing was only just for me, I was accountable to myself. No obligation to speak in a large group or pressure to do it ‘right.’ I think this format is very generous for people who are invested in it.

In nearly all of the small groups, other participants also expressed their gratitude for the artistic and individualized way the workshop was held.

The workshop and its library is a safe space to encounter hard truths. Two days of expertly organised listening, thinking and writing took me through deeply personal and widely organisational perspectives into intersectionality, racism and othering.

does what it says it's going to do.
It provides a safe space in which to explore your experiences and practice, as well as tools to transform these.
This is jargon others are using like catch-phrases without substance. FBS's workshop has the meat on the bones.
The workshop allowed me a real opportunity to tackle the messiness of my identity, as well as, my role in community during these trying times.

It helped me transition from a blurred image (that I thought was clear) of myself to a more illuminated one, revealing obscured nuances of my behaviors and the effects and consequences they can have.

It made me think about empathy, also from one of the postcard texts in the learning platform. It feels like a practise in deep empathy with a starting point that is me and from that being able to use empathy for myself as a tool for moving in my field.

For me the workshops have shown that we can talk facts and statistics, we can bang on about inclusion and diversity on a structural level, but what makes this different is that it comes from within by creating understanding for oneselves and others.
Is tangible change from within. I think the free form of poetry, writing and art as made that possible.
The main word that come to me is ‘care’ in any and every form.

The Afrostar Galactica